The Reluctant Writer: Something Else to do When I Should Be Writing

February 17, 2010

Cabaret Comes to Trustus Wednesday night with Marjorie Barnes & Wideman/Davis Dance

If you can tear yourself away from the Olympics on Wednesday night, (did somebody say Tivo?), race on down to TRUSTUS Theatre on Lady Street for a taste of New York City, Columbia Style.  The brain child of former Broadway star – now Columbia arts supporter, Gillian Albrecht, TRUSTUS Theatre presents an innovative series of monthly cabaret events starting Wednesday night with Thaddeus Davis and Tanya Wideman-Davis of Wideman/Davis Dance Company and featuring the huge voice of the beautiful Marjorie Barnes.

Marjorie Barnes may be best known for her work with the musical group The Fifth Dimension (can you suuuuuurry, can you picnic? wo-o-o-ah) — Marjorie replaced Marilyn McCoo in the mid-seventies — but she has also enjoyed a stellar career as a jazz vocalist both on Broadway and throughout Europe.  Among the shows she has starred in are Hair, Dream Girls, Bubbling Brown Sugar, and Pal Joey.

The fund raising event starts at 7:30 and tickets are $30 in advance and $35 at the door, with student rush tickets available at 7 pm at the door. But don’t dally — there were just a few seats left by Tuesday night — and seating is general admission. For tickets call 254-9732.

Watch this space for more info on the upcoming shows.

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February 9, 2010

Valentine’s Day = Pressure; What’s Love Fest = Pressure Release

As a woman of a certain age, I’ve suffered through many a Valentine’s Day.

Suffer, you say?  Why, I thought you had married your high school sweetheart — a boy you met on the football field when you were but fifteen years old?  I thought you had never dated another boy since and that you were living happily ever after in a little white house in an enchanted forest? Isn’t all of this true?

Why yes, yes it is. So if someone like me, who is married to the Beer Doctor, who just happens to have exquisite taste in all things romance, jewelry, wine, chocolates, flowers — the whole bit — if someone like me has suffered through Valentine’s Days galore, then please do pity the poor girl or boy who:  doesn’t have a love interest; only has a like interest; isn’t sure where she or he stands on the like/love scale.

The fact of the matter is that, more than anything, Valentine’s Day means pressure — even for those of us long in-love.  If it’s not deciding what to do, because God forbid you act as if it’s just another night, then it is deciding what to do soon enough lest every table in town be booked.  Pressure.  Then there is the question of gifts.  Women are easy — there is tradition behind what women expect from their beloveds on Valentine’s Day — gentlemen may make their choices from any variety of candies, jewels, and floral designs.  For women of the enlightened sect however, (those who recognize that loving and cherishing is a two-way street and that boys like to have love professed to them as much as girls), it is slim pickings.  We can only give so many wallets, money clips, and boxers with hearts all over them.  Women have to get creative.  Personally, I’ve given the Beer Doc so many baskets of craft beers by now that I just can’t go that direction again.  Pressure.

Don’t even get me started on Valentine’s shopping for parents, grandparents, and kids; what to wear over & what to wear under; performance anxiety; and the fact that a major candy holiday comes around in the middle of the biggest diet season of the year.  Pressure.

At least there is something we can do in Columbia that is pretty much pressure-less for those who just have to show up, and a pressure-release once we get there — the What’s Love Fest at 701 Whaley Street — one of the best arts events of the year.

With too many artists to mention — but I will say a few names like Bonnie Goldberg, Anastasia Chernoff, Michael Krajewski, Alejandro Garcia, Caroline Hatchell, and Billy Guess; plus performance art à la Wideman/Davis Dance, Unbound and more; music from Danielle Howle, Unresolved and Les Paramours; food, including an offering by Chef Kelly and a cash bar with Magic Hat brew; plus all kinds of surprises, I’m sure — The What’s Love Fest is the answer to the second most stressful holiday of the year.  Simply suit up in something sexy (ok, a little pressure there), and show up.

Below are the details lifted from the What’s Love Fest Facebook page — I hope I get to see you there.

What’s Love? This is What’s Love!
Over 40 visual and performance artists showing You the Love!

SAT. February 13th @ 701 Whaley
The main event:
“What’s Love Fest 2010”
7pm-midnight

Sun. Feb. 14th CLOSING
2pm-5pm

Tickets are $15 advance $20 at the door
Advance tickets:
Sid & Nancy – 5 Points
S&S Art Supplies – Rosewood Dr
Frame of Mind – Main St.
WEB – http://www.palmettonluna.org paypal

It’s Valentines weekend and whether you are single or have a love to bring you won’t want to miss this night of tantalizing art and entertainment!
Sponsored by:
Free Times
Baileys
Magic Hat
Sid & Nancy
Comunicar
Smoke
L.A.Kornegay, Media Productions

SAT. FEB 13th 7-midnight

Music by:
Les Paramours featuring:
Don Russo: Vocals/Guitar
Nick Brewer: Piano
Reggie Sullivan: Bass
Tony Lee: Drums
PLUS
Danielle Howle
Unresolved

Performances by:
Unbound Dance Company
Wideman/Davis
Sherry Warren & Kirrill Simin
Penthouse Playhouse

Also enjoy DR SKETCHY! The most rambunctious sketching session you’ll experience.

ART ART ART ART ART
With sexy, humorous, erotic and romantic art – starting with return artists or “The Love Hangovers”
* denotes part of juried show
Heidi Darr-Hope
Anastasia Chernoff
Melissa Ligon
Britta Cruz
Jeff Smith
Alejandro Garcia
Molly Harrell *
Michael Krejewski *
Melinda Register *
Bonnie Goldberg
Leslie Pierce *
Diana Farfan
Lee Ann Kornegay
Travis Teate
Billy Guess *

“Puppy Loves”
Betsy Newman *
Wade Sellers *
Michael Dixon *
Half & Half – Nick & Sarah *
Ted Sbardella *
Melissa Buckner *
Lindsey Wolf *
Izms of Art – Cedric & Mustafa *
Shannon Purvis *
Roe Young *
Caroline Hatchell *
James Shealy *
Lucy Bailey *
Dawn Hunter *
Sarah Kobos *

Kelly Courtney of Sugarhill will have something yummy and chocolate!

You can also shop for the perfect Valentine’s gift with:
Sid & Nancy
Bohumila Augustinova
Tom Chinn – Love Taps
S&S Art Supplies
Frame of Mind
Danielle Howle – Jewelry

Looking for the perfect Valentines Experience?
How bout the DELUXE LOVE package?
Details coming soon!

What’s Love Fest 2010
Jurors

1. Todd Herman, Chief Curator of the Columbia Museum of Art.
2. Karen Watson, Director of the Sumter Gallery of Art.
3. J.J. Ohlinger, Director of CAFfeine, Contemporary Art Forum in Greenville, SC.
4. Alejandro Garcia-Lemos, What’s Love Jury Coordinator.

This year’s event supports Palmetto & LUNA, a non-profit organization promoting Latino arts and culture in South Carolina. Latino theme not required.

FREE TIMES, Sid & Nancy, BAILEYS, Magic Hat and COMUNICAR are sponsors of the event.

For more information
lakorn@bellsouth.net

November 19, 2009

Wideman/Davis Dance Company at City Art, 7:30 during Vista Lights TONIGHT

The buzz in the Columbia dance world is definitely about the new professional company that has chosen our increasingly arts-friendly city as their new home.  Wideman/Davis Dance Company isn’t really new though.  They’ve been around for several years, forming after Thaddeus Davis and Tanya Wideman-Davis got tired of living married life in different cities while Tanya danced as principal dancer at the illustrious Alonzo King Lines Ballet in San Francisco, and Thaddeus, heavily in demand as a dancer and choreographer, flitted from city to city creating his own personal style of Thaddeus-magic.  In fact, Thaddeus and Tanya aren’t really new to Columbia anymore, having been here throughout the year teaching at USC’s sky-rocketing-to-fame dance program, with their full company in residence for the month of November.  From their performances at 701 to Drayton Hall to the Koger Center to Mark Plessinger’s FOM series last month, more and more people are getting a glimpse of the blend of exacting technique with soul-stirring emotion, coated with a lovely layer of social consciousness, that these people bring to the stage — wherever they choose their stage to be.   And tonight, you can get a glimpse of the glory that is the Wideman/Davis Dance Company during Vista Lights.  As their early holiday gift to the city, the full company will be performing (for free, no less) at City Art at 7:30.  And from what I hear, darlin’s they will be rocking it out, treating you to excerpts from Rock and My Soul — yes, rock and roll music like you have never witnessed it before.  Personally, I’m pretty psyched.

And while we’re talking Wideman/Davis, mark your calendars for the nights of December 1st through 4th, when the full company will be premiering their new work at Drayton Hall on the campus of USC.  The new piece, entitled Balance, was created in response to the couples’ experiences working with the homeless here in Columbia.  Wednesday night, the 2nd, they will be hosting a group of the same homeless individuals and families — actually their students whom they have been teaching at one of the local shelters — as their guests for the performance.  This beautiful gesture of respect and appreciation will be preceded by a complementary dinner from Pasta Fresca, arranged by USC senior, the sweetheart, Margey Bolen.

Then, on Friday night, December 4th, it is your chance to get involved.  And I mean that literally.  Because WDDC is not your typical performing arts organization, they have chosen to forego the usual method of growing their supporters, (asking for donations at different levels of commitment, with different levels of rewards), by inviting any and all to become Partners in the Wideman/Davis Dance Project at a single level of $50 per person.  The smart cookies who join the Wideman/Davis Dance Project early, (prior to the beginning of the performance on Dec. 4th), will also be offered a free ticket to the Friday night show, as well as an invitation to a reception in their honor Friday evening, and future dancebill listing as charter Wideman/Davis Dance Project members.

I’ll have complete information on how you can become a part of this amalgam of socially conscious art supporters soon, but feel free to leave your contact info in the comments section below, or email me at caboit@aol.com, if you’d like me to follow-up on getting that info into your hard-working hands post haste.  In the meantime, come and see the Wideman/Davis Dance Company perform tonight at 7:30 at City Art during Vista Lights. I promise, you’ll be glad you did.

November 5, 2009

Main Street has taken over my brain — FOM, Anastasia, CCJC, Miriam, Good Time Chuck, Ashley, Vista Ballroom — plus more

It’s the first Thursday of the month and that can only mean one thing — Main Street will be rockin’ the arts tonight.  Big time.

Big goings on this month, too, because the happening trifecta traditionally provided by Mark, Chuck and Travis — aka Frame of Mind, Gotham Nights and White Mule –– is getting a major boost just a bit down the street at the Sheraton where Anastasia Chernoff is opening her show cleverly titled ex true sions.  Given that I will fight you for the title of Anastasia’s biggest fan, I couldn’t be more thrilled.  Anastasia has subtitled her show as — deep emotions squeezed or forced out and reformed through a medium — because she created these works while under hypnosis.  See?  Hypnosis doesn’t necessarily make one bark like a dog or speak like Rush Limbaugh when she goes under.  (Although I’d much prefer the first to the latter.)  Even if you aren’t an arts geek like me, do let your curiosity get the best of you and stop by Posh at the Sheraton at 1400 Main Street between 5 and 10 tonight to have a drink at the bar and check this show out.

And the big news up the street (or is it down?  I admit that sometimes I am directionally challenged — but I always know where the wine is, which is a life saver) is that Mark Plessinger has put together way more performing artists than any one Main Street deserves to complement his FOM (Frame of Mind) Series, which this month features the local artist Evelyn Wong.  Evelyn is both a performer and a mixed media artist so you never know what she will come up with, and I’m excited to see what she has going on with this showing.  Her work will continue to be on display at FOM throughout the month of November.  Performance-wise though, Mark has seriously got you covered, with short features presented by Miriam Barbosa of the SC Contemporary Dance Company, solos by the lovlies Sherry Warren and Ashley Bennett, and ensemble presentations by Columbia City Jazz Company, Vista Ballroom, and Carolina Ballet.  Whew!   We’ll be kicking off this delicious dose of arts immersion at 5 and running it until 9 at Frame of Mind — 1520 Main Street, directly across the street from the art museum.

At the risk of completely overwhelming you I also have to share that both of Mark ‘s neighbors — The White Mule and Gotham Nights — have stuff going on that you are absolutely going to have to stop into as well.  White Mule has a free wine tasting and a happy bar that is always ready to pour/mix/splash you a cold one, plus some of the coolest, edgiest art in town hanging on its walls — though I hear someone has her eye on one of Mike Krajewski’s pieces, but I’ll not divulge which one lest she get beaten to the punch and I have to suffer the consequences of my big mouth.  And Good time Chuck over at Gotham Nights (Gotham Bagel, by day) will be partying down with Tim McLendon, schwing dancing, plus a fridge full of fine beer and wine by the glass.

But please be forewarned — do not stay out too late tonight as Friday and Saturday nights have a glorious show in store for you at the Koger Center.  The USC Dance Company is on the stage again, so not only will my baby girl be dancing, but Thaddeus Davis has choreographed a new piece on former Boston Ballet principal/now USC instructor, Kyra Strasburg, to the music of Andre Previn.  That plus Balanchine plus more new choreography —  more info to come tomorrow, but rest assured, you dance & music lovers don’t want to miss this show.

See you tonight on Main!

 

 

 

October 27, 2009

Dance in Columbia a la’ Stir Magazine

If you haven’t had a chance to read my Art Scene column in the latest issue of  Stir Magazine, you can pick up a copy of the swanky-looking publication at some of the finest spots in town, (I got mine from Mr. Friendly’s), or you can take a look at the whole cyber spread by clicking this –>www.stircolumbia.com and turning to pages 8 – 9, or you can read my piece only below.

I tried to at least give a nod to everything going on dance-wise in the city, but I may have missed something, and I hope you’ll let me know if I did.  I’d also like to hear what you think about my argument for multiple dance companies in Cola town.  Do you think that a multiplicity of dance companies in one city raises the barre (pun intended), or does it dilute the audience and funds? Chime in — it’s a debate worth having.

Now for Something a Little Different

Everyone who loves the arts has something they love the most; a medium that most satisfies their inner cravings for meaning and soul-baring expression.  For one woman it may be the theatre, and the houselights don’t go down at TRUSTUS without her feet beneath the seat of one of the cozy chairs Kay and Jim Thigpen keep warm down on Lady Street.  The next guy may be all about music:  he thinks Charles Wadsworth is Jesus and can hum the cello suites in his sleep.  For someone else it may be the visual arts with the sun rising in Mana Hewitt’s metalworks and setting in David Yaghjian’s oils.  I’m like most art geeks in that I love it all – my favorite time is opening night and I’d seriously consider voting Morihiko in as mayor if he’d run.  But the thing that does it for me most is dance.

And that means I live in the right place.

As a city, Columbia has more than her share of dance entertainment opportunities, and unlike some folks who argue that one dance company to a town is enough, I heartily disagree.  Just as no two dancers are the same, neither are any two companies.  Each brings something different to the stage.  From the sultry undulations of Unbound to the rhythmic punctuations of Terrence Henderson’s Leo Award winning Vibrations; from Martha Brim’s mature and modern Power Company, to the scarily cute kids from Dale Lam’s Columbia City Jazz; from Dancewordz Ballet that combines movement with poetry, to Wideman/Davis that is poetry in and of itself; from CMFA’s Carolina Ballet, which has been around forever, to USC’s Dance Company which has come into its own; and from William to Radenko – there I said it – they all have something unique to offer.  And the benefactor of this wealth of diversity, this embarrassment of riches, is the Columbia, South Carolina dance audience.  We never have a reason for being bored.

One of the freshest and most exciting dance ventures in town this fall is Miriam Barbosa’s new iteration of the South Carolina Contemporary Dance Company, housed by her Gyrotonics studio down on Lady Street.  Inklings of this company began back in 2007 when Miriam was still on faculty at USC, with those inklings developing into a two-person performance of Story Lines earlier this year, original Barbosa choreography staged around Beth Melton’s textile installation at the Columbia Center for Contemporary Art on Whaley.  Since then, the company has grown in number – there are eighteen professional dancers now; in support – Marvin Chernoff and Chuck LaMark have both signed on as associate executive directors; and, in target audience – performances are already booked in Columbia, Charleston and Charlotte and the calendar seems to grow every day.

The premiere performance for this newly re-formed company is coming up on September 17th, at 7 p.m., at the Koger Center for the Arts, and there are two pieces on the dancebill.  Miriam’s previous life as a dancer in the Martha Graham Company allows her the licensure to stage Maple Leaf Rag, the last piece choreographed by Graham before her death in 1991.  Set to the turn-of-the-century music of Scott Joplin, Maple Leaf Rag was inspired by Graham’s visit to Charleston when her company performed at the 1989 Spoleto Festival.  I had the opportunity to watch a rehearsal of the South Carolina Contemporary Dance Company perform this piece on a muggy afternoon in August, and though my toes told me I was in Columbia, Charleston all but came alive in that sweaty brick studio in the Vista.  Staged around a massive black lacquered joggling board that could have easily just bounced off a portico somewhere South of Broad, the dancers perched and pranced and balanced in time to the seventh chords and syncopations with, dare-I-say, glee.  Unlike so much of Graham’s heavier choreography, this piece is seventeen upbeat minutes of fun.

The stage gets more serious during the second act of the night when the dancers perform a piece of Barbosa’s original choreography called, Catharsis. Set to the music of Argentine tango composer Astor Piazzolla, Catharsis was choreographed in conjunction with the visual art of Marcelo Novo who has found the theme of catharsis rise often in his work of late.  The ballet is performed in three acts and takes on issues of love, passion, chaos, war, and purification, hence catharsis, and incorporates Marcelo’s original images into the backdrop and set.

Miriam explains that Marcelo’s completed work, “found voice and movement within my own experiences and so the collaboration was a fluid exchange of ideas that fit together perfectly, also reflecting a lot of our shared South American background.”

The choreography is full of typical Barbosa faire – fullness, strangeness, lyricism, and athleticism.  It’s almost as if the limited dimensions of the dance floor aren’t enough, so she takes her dancers into the air and actually suspends a few of them above the stage, using harnesses to simulate flight.  Previously performed in 2005, there are changes to the choreography including the addition of a tango performed upside down.  She’s also changing up her costumes a bit and has Barry Sparks, Columbia’s great thaumaturge of all things light and sound, doing her lighting, giving us even more to look forward to from this performance.

With Columbia’s dance season upon us, there is no shortage of excitement in store. Full length dance follows fantasy storylines that range from the frightening – hunchbacks and vampires – to the frivolous – mermaids and genies in bottles.  Wideman/Davis takes on homelessness, while USC gives a nod to the classics and a wink to contemporary choreography a la’ Alan Hineline. There is dancing to poetry and there’s the poetry of dance.  And God knows there’s a plethora of Nutcrackers, with Columbia City Jazz offering not one, but two Claras this season.  There is plenty to love on the dance floors of our good city.  Not too much and, thankfully, not too little.  When it comes to a good thing, we’ve got it good.

For more information on the South Carolina Contemporary Dance Company visit their website at www.scdanceco.com.

May 2, 2009

Anne Boudreau and 701 Whaley Street

Visiting an artist in residence at 701 Center for Contemporary Art on Whaley Street in Columbia is the equivalent of being allowed into the inner sancta of the heart and soul of art and creativity.  A bold statement, to be sure, but when we consider the history of the facility itself, which is all about creative productivity, and combine it with the purpose of the facility now, again all about the potential for artistic creativity — I don’t believe the fact overstated.

I’ve had the opportunity to visit 701 many times within the past few months.  In addition to enjoying a massive Valentine’s Day party and the Runaway Runway show downstairs, I also took in some of the Indie Grits presentations upstairs in the more intimate but still size-able rooms above.  I saw Miriam Barbosa dance beautifully there around Beth Melton’s huge textile installation, then I saw Martha Brim dance around Ellen Kochansky’s installation in the same space.  Finally, last week, at the preview of Anne Boudreau’s installation, which depicted just a few pieces of her works in progress for her May 7th opening, I was one of a too small number who got to see Thaddeus Davis and Tonya Wildeman-Davis dance with and around some of the larger of Anne’s pieces.  So, at this point, I’m starting to feel pretty comfortable in the facility.

And I can’t say enough good things about it. When I enter the doors and walk down the long halls, my eyes wander to the traces of paint and days and lives gone by that still cling to the walls and ceilings, and my mind wonders at the history still clinging there, as well.  As the grandchild of a mill family, married to the grandchild of a mill family, and a student of southern culture, I often feel a bit of a knot in my throat and a mist in my eye when I contemplate the massive and quite grey contribution that the textile industry has made in the lives of people around whom my life has been built.  Bittersweet.  People who were thankful for difficult and dangerous jobs.  In so many cases, the complete and irrefutable absence of choice.  Making do.  Getting by.  Cradle to grave.

And I can see all that there on the walls of 701 Whaley, scrubbed clean but still reeking of the past, the memories trapped between the layers of paint left for the rest of us to witness.  And without fail, there is one word that comes to my mind every time I enter the building:  integrity.  Here’s hoping the facility continues to live up to that regard.

To read my article on Anne Boudreau, this season’s artist in residence, please click on http://www.thestate.com/static/images/magazines/LakeMurrayColumbia0509/ and flip to pages 22 – 23.

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