The Reluctant Writer: Something Else to do When I Should Be Writing

February 17, 2010

Cabaret Comes to Trustus Wednesday night with Marjorie Barnes & Wideman/Davis Dance

If you can tear yourself away from the Olympics on Wednesday night, (did somebody say Tivo?), race on down to TRUSTUS Theatre on Lady Street for a taste of New York City, Columbia Style.  The brain child of former Broadway star – now Columbia arts supporter, Gillian Albrecht, TRUSTUS Theatre presents an innovative series of monthly cabaret events starting Wednesday night with Thaddeus Davis and Tanya Wideman-Davis of Wideman/Davis Dance Company and featuring the huge voice of the beautiful Marjorie Barnes.

Marjorie Barnes may be best known for her work with the musical group The Fifth Dimension (can you suuuuuurry, can you picnic? wo-o-o-ah) — Marjorie replaced Marilyn McCoo in the mid-seventies — but she has also enjoyed a stellar career as a jazz vocalist both on Broadway and throughout Europe.  Among the shows she has starred in are Hair, Dream Girls, Bubbling Brown Sugar, and Pal Joey.

The fund raising event starts at 7:30 and tickets are $30 in advance and $35 at the door, with student rush tickets available at 7 pm at the door. But don’t dally — there were just a few seats left by Tuesday night — and seating is general admission. For tickets call 254-9732.

Watch this space for more info on the upcoming shows.

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February 9, 2010

Valentine’s Day = Pressure; What’s Love Fest = Pressure Release

As a woman of a certain age, I’ve suffered through many a Valentine’s Day.

Suffer, you say?  Why, I thought you had married your high school sweetheart — a boy you met on the football field when you were but fifteen years old?  I thought you had never dated another boy since and that you were living happily ever after in a little white house in an enchanted forest? Isn’t all of this true?

Why yes, yes it is. So if someone like me, who is married to the Beer Doctor, who just happens to have exquisite taste in all things romance, jewelry, wine, chocolates, flowers — the whole bit — if someone like me has suffered through Valentine’s Days galore, then please do pity the poor girl or boy who:  doesn’t have a love interest; only has a like interest; isn’t sure where she or he stands on the like/love scale.

The fact of the matter is that, more than anything, Valentine’s Day means pressure — even for those of us long in-love.  If it’s not deciding what to do, because God forbid you act as if it’s just another night, then it is deciding what to do soon enough lest every table in town be booked.  Pressure.  Then there is the question of gifts.  Women are easy — there is tradition behind what women expect from their beloveds on Valentine’s Day — gentlemen may make their choices from any variety of candies, jewels, and floral designs.  For women of the enlightened sect however, (those who recognize that loving and cherishing is a two-way street and that boys like to have love professed to them as much as girls), it is slim pickings.  We can only give so many wallets, money clips, and boxers with hearts all over them.  Women have to get creative.  Personally, I’ve given the Beer Doc so many baskets of craft beers by now that I just can’t go that direction again.  Pressure.

Don’t even get me started on Valentine’s shopping for parents, grandparents, and kids; what to wear over & what to wear under; performance anxiety; and the fact that a major candy holiday comes around in the middle of the biggest diet season of the year.  Pressure.

At least there is something we can do in Columbia that is pretty much pressure-less for those who just have to show up, and a pressure-release once we get there — the What’s Love Fest at 701 Whaley Street — one of the best arts events of the year.

With too many artists to mention — but I will say a few names like Bonnie Goldberg, Anastasia Chernoff, Michael Krajewski, Alejandro Garcia, Caroline Hatchell, and Billy Guess; plus performance art à la Wideman/Davis Dance, Unbound and more; music from Danielle Howle, Unresolved and Les Paramours; food, including an offering by Chef Kelly and a cash bar with Magic Hat brew; plus all kinds of surprises, I’m sure — The What’s Love Fest is the answer to the second most stressful holiday of the year.  Simply suit up in something sexy (ok, a little pressure there), and show up.

Below are the details lifted from the What’s Love Fest Facebook page — I hope I get to see you there.

What’s Love? This is What’s Love!
Over 40 visual and performance artists showing You the Love!

SAT. February 13th @ 701 Whaley
The main event:
“What’s Love Fest 2010”
7pm-midnight

Sun. Feb. 14th CLOSING
2pm-5pm

Tickets are $15 advance $20 at the door
Advance tickets:
Sid & Nancy – 5 Points
S&S Art Supplies – Rosewood Dr
Frame of Mind – Main St.
WEB – http://www.palmettonluna.org paypal

It’s Valentines weekend and whether you are single or have a love to bring you won’t want to miss this night of tantalizing art and entertainment!
Sponsored by:
Free Times
Baileys
Magic Hat
Sid & Nancy
Comunicar
Smoke
L.A.Kornegay, Media Productions

SAT. FEB 13th 7-midnight

Music by:
Les Paramours featuring:
Don Russo: Vocals/Guitar
Nick Brewer: Piano
Reggie Sullivan: Bass
Tony Lee: Drums
PLUS
Danielle Howle
Unresolved

Performances by:
Unbound Dance Company
Wideman/Davis
Sherry Warren & Kirrill Simin
Penthouse Playhouse

Also enjoy DR SKETCHY! The most rambunctious sketching session you’ll experience.

ART ART ART ART ART
With sexy, humorous, erotic and romantic art – starting with return artists or “The Love Hangovers”
* denotes part of juried show
Heidi Darr-Hope
Anastasia Chernoff
Melissa Ligon
Britta Cruz
Jeff Smith
Alejandro Garcia
Molly Harrell *
Michael Krejewski *
Melinda Register *
Bonnie Goldberg
Leslie Pierce *
Diana Farfan
Lee Ann Kornegay
Travis Teate
Billy Guess *

“Puppy Loves”
Betsy Newman *
Wade Sellers *
Michael Dixon *
Half & Half – Nick & Sarah *
Ted Sbardella *
Melissa Buckner *
Lindsey Wolf *
Izms of Art – Cedric & Mustafa *
Shannon Purvis *
Roe Young *
Caroline Hatchell *
James Shealy *
Lucy Bailey *
Dawn Hunter *
Sarah Kobos *

Kelly Courtney of Sugarhill will have something yummy and chocolate!

You can also shop for the perfect Valentine’s gift with:
Sid & Nancy
Bohumila Augustinova
Tom Chinn – Love Taps
S&S Art Supplies
Frame of Mind
Danielle Howle – Jewelry

Looking for the perfect Valentines Experience?
How bout the DELUXE LOVE package?
Details coming soon!

What’s Love Fest 2010
Jurors

1. Todd Herman, Chief Curator of the Columbia Museum of Art.
2. Karen Watson, Director of the Sumter Gallery of Art.
3. J.J. Ohlinger, Director of CAFfeine, Contemporary Art Forum in Greenville, SC.
4. Alejandro Garcia-Lemos, What’s Love Jury Coordinator.

This year’s event supports Palmetto & LUNA, a non-profit organization promoting Latino arts and culture in South Carolina. Latino theme not required.

FREE TIMES, Sid & Nancy, BAILEYS, Magic Hat and COMUNICAR are sponsors of the event.

For more information
lakorn@bellsouth.net

November 30, 2009

Thanksgiving realities and The Wideman/Davis Dance PROJECT

I write to you today, several pounds heavier, with a house half decorated and a heart full of Thanksgiving and Holiday joy.  Yes, joy.

Like many of you, we spent Thanksgiving Day (although Boiter-Jolley Thanksgiving happens on Wednesday rather than Thursday, allowing the Beer Doc to tend to turkey injuries and domestic disputes in the ER on the sacred Thursday) embroiled in the preparation of far more food than any one family should ever sit down to eat.  It takes us so long to cook our Thanksgiving meal that we start early in the morning (BJT*), everyone pitching in with several toasts to our blessings throughout the day, and finally get around to eating around 9 or 10 pm, listening to Handel’s Messiah and slipping goodies to the kittens beneath the table.  It’s a good and happy day.

Afterward, we clear the table only to find that we could feed many more families many more meals with our leftovers alone.  Several microwaved plates, turkey sandwiches, and turkey nachos later (seriously, nachos = the best way to use that leftover bird), the green beans get a little too soggy, the stuffing a little too scary, and we begin to clear the fridge of the leftovers left too long.  A few things can go into the compost, but most have too much cream or butter or some other kind of indulgence, and these food items just go into the trash.  The trash.  We waste creamy cole slaw, sautéed mushrooms, and precious pecans.  We throw the dark meat, which none of us favor, to the cats.  The cats — the same ones who think skinks taste pretty yummy.

My point?  You’ve already figured it out on your own. Your family is probably not very different from mine.  We live in a land of pretend abundance — at least those of us communicating via the Internet, for sure.  Thanksgiving is just like Christmas — we have so much that we celebrate by having more.

No, I have no interest in being the blogosphere’s version of a Sarah McLachlan neglected dog commercial.  You’re all adults — many of you with better human kindness records than me.  But for those of you who either daily or seasonally hitch your wagons to the do-good train — and for those of you who sometimes come to this cyber-space curious as to what kind of arts nonsense I might be blubbering on about — I do offer an elixir to slightly abate the  over-indulgent miasma that those on our side of the monitor may be feeling this time of year.  The Wideman/Davis Dance Project.

I promised you this information in my November 19th post, and here it is.  There are no donors or patrons for the Wideman/Davis Dance Company — but there are partners.  This is what the company is about; this is what you can be about, too.

Please let me know if I can answer any questions for you or direct you to people who know the answers better than I.  There’s excitement in the air in the Columbia arts community — the Wideman/Davis Dance Company and the Wideman/Davis Dance Project is part of it.  You can be a part of it, too.

Read on.

~~~~~~~~~~~~~~~~~~~~~~

 

Interested in being a part of an arts endeavor that also places a priority on making the world a better place?

Join the Wideman/Davis Dance Project.

Joining as a Charter Project Member before the December 4th final performance of Balance – Influenced by the Testimonials of the Homeless of Columbia, South Carolina, will guarantee you a free ticket to the performance of your choice December 1st – 4th; admit you to a post-performance reception on Friday, December 4th, during which you can chat with the company and other project members; record your name as a Charter WDDP Member; and designate that 10% of your contribution be donated directly to the needs of the homeless in Columbia, South Carolina.

Joining is easy.

Go to www.thefield.org

Select “Contribute to a Sponsored Artist”

Select Tanya Wideman-Davis and Thaddeus Davis: Wideman/Davis Dance

Enter an amount of $50 or more then click “Contribute”

Select “Checkout Now” at the bottom of the next page

Enter your name as you would like it to appear on our records, then select “Continue” and fill in the requested information before selecting “Continue Checkout”

Upon completing your contribution you will immediately be issued a personalized thank you letter which you may print out for your records.  (WDDC is a not-for-profit arts group.)

Now here’s the important part – FORWARD a copy of your letter to me at CindiBoiter@aol.com and I will have your ticket waiting for you at the performance of your choice.

Thank you for becoming a Charter Member of the Wideman/Davis Dance Project.

Thank you for putting your passion for art into action.

Cheers,

Cindi

Cynthia Boiter

Acting President, Wideman/Davis Brain Trust

 

 

*Boiter-Jolley Time

November 7, 2009

USC Dance, Stacey Calvert, Kyra Strasberg, live music, my kid, and more

As I wrote earlier this week, the USC Dance Company performed last night at the Koger Center starting at 7:30, as they will again tonight.  They are calling this program American at Heart — for reasons I’m not sure I understand.  Three distinctly different pieces have been assembled for the audience’s pleasure and, this time, there is a nice variety of dancers performing, rather than seeing the same old same old as we often do.  And yes, I realize that my own kid has probably been the most same old of all the same olds for the past three years.  Still, fair is fair, and good is good.  The program has grown through the roof with better and better young dancers showing up every fall to enroll in the Bachelor of Performing Arts degree program.  Now we get to see quite a selection of very good young dancers on the stage.  Good job USC Department of Dance.

The show starts out with one of George Balanchine’s most  beautiful ballets, Serenade. Now here’s something that not a lot of people realize.  The only way you are going to legally get to see a Balanchine piece performed in Columbia is if you have someone who has been approved by the Balanchine Trust  to stage it.  They have to meet exceedingly precise standards in regard to the application of the Balanchine style and technique, and they have to document their procedures and provide film of the performance for the Balanchine Trust to approve.  There aren’t a lot of those people just hanging around Columbia, or South Carolina, for that matter, but USC is lucky to have Stacey Calvert as their Associate Artistic Director, who is.  Stacey was a former soloist with the New York City Ballet.  Although we don’t get to see her dance anymore, I can attest that just watching her teach a class is the equivalent of watching a wonder in the dance arts.  Her movements are beautiful; her physique, which she carefully tends, is a work of art.  Stacey is one of South Carolina’s treasures — we are phenomenally fortunate to have her here and at our university.

This performance’s presentation of Serenade is a testimony to Stacey’s work in the studio and Artistic Director Susan Anderson’s work in growing her program.  Bonnie performed the same role in the same piece three years ago when she was a freshman here at USC.  But watching the performance today, compared to then, is like watching a different company.  Of course, most of the dancers are new, with the older dancers having graduated or moved on.  But the difference is in the quality of the corps and the maturity of the lead dancers — Bonnie, Sara Caton, Olivia Anderson, McCree O’Kelley, and Keith Mearns.  Even taking into consideration the bias that I probably have when watching people I’ve grown to love dance, I can say with certainty that the members of this program,the members of this company, are some of the very best dancers you’ll have the opportunity to see in South Carolina.  I think you’d be hard pressed to find anyone who disagrees.

There is a brief pause in the performance after Serenade, followed by a dance in six movements choreographed by Luis Dominguez.  The piece is titled after its music, the Bach Cello Suite.  Live music is wonderfully provided by cellist Kenneth Pruitt, who sits on the corner of the dancers’ stage.  This is a bit of a minimalist piece, and it is lovely.  Keep your eyes on dancers Ashley Johanson and Lauren Shankle.  They are significant parts of the future of the dance program at USC.

After intermission you return to the audience for Thaddeus Davis’ and Tanya Wideman-Davis’ choreographic work, If At First We Dream, set to the music of Andre Previn.  The violinist is Ashley Horvat and the pianist is Rosemarie Suniga.  Kyra Strasberg, Columbia native, distinguished artist in residence, and former principal dancer at Boston Ballet, celebrates her return to the stage with this piece.  Carolyn Bolton, McCree O’Kelley, Ryan Thomas, and William Smith also offer exceptional performances.

Come out to support your local university and take advantage of some truly exquisite dance and innovative choreography.  The USC Dance Company is on its way to being one of the top companies in higher education in the country.  Come see it now, so you can eventually say that you remember seeing it back when.

October 27, 2009

Dance in Columbia a la’ Stir Magazine

If you haven’t had a chance to read my Art Scene column in the latest issue of  Stir Magazine, you can pick up a copy of the swanky-looking publication at some of the finest spots in town, (I got mine from Mr. Friendly’s), or you can take a look at the whole cyber spread by clicking this –>www.stircolumbia.com and turning to pages 8 – 9, or you can read my piece only below.

I tried to at least give a nod to everything going on dance-wise in the city, but I may have missed something, and I hope you’ll let me know if I did.  I’d also like to hear what you think about my argument for multiple dance companies in Cola town.  Do you think that a multiplicity of dance companies in one city raises the barre (pun intended), or does it dilute the audience and funds? Chime in — it’s a debate worth having.

Now for Something a Little Different

Everyone who loves the arts has something they love the most; a medium that most satisfies their inner cravings for meaning and soul-baring expression.  For one woman it may be the theatre, and the houselights don’t go down at TRUSTUS without her feet beneath the seat of one of the cozy chairs Kay and Jim Thigpen keep warm down on Lady Street.  The next guy may be all about music:  he thinks Charles Wadsworth is Jesus and can hum the cello suites in his sleep.  For someone else it may be the visual arts with the sun rising in Mana Hewitt’s metalworks and setting in David Yaghjian’s oils.  I’m like most art geeks in that I love it all – my favorite time is opening night and I’d seriously consider voting Morihiko in as mayor if he’d run.  But the thing that does it for me most is dance.

And that means I live in the right place.

As a city, Columbia has more than her share of dance entertainment opportunities, and unlike some folks who argue that one dance company to a town is enough, I heartily disagree.  Just as no two dancers are the same, neither are any two companies.  Each brings something different to the stage.  From the sultry undulations of Unbound to the rhythmic punctuations of Terrence Henderson’s Leo Award winning Vibrations; from Martha Brim’s mature and modern Power Company, to the scarily cute kids from Dale Lam’s Columbia City Jazz; from Dancewordz Ballet that combines movement with poetry, to Wideman/Davis that is poetry in and of itself; from CMFA’s Carolina Ballet, which has been around forever, to USC’s Dance Company which has come into its own; and from William to Radenko – there I said it – they all have something unique to offer.  And the benefactor of this wealth of diversity, this embarrassment of riches, is the Columbia, South Carolina dance audience.  We never have a reason for being bored.

One of the freshest and most exciting dance ventures in town this fall is Miriam Barbosa’s new iteration of the South Carolina Contemporary Dance Company, housed by her Gyrotonics studio down on Lady Street.  Inklings of this company began back in 2007 when Miriam was still on faculty at USC, with those inklings developing into a two-person performance of Story Lines earlier this year, original Barbosa choreography staged around Beth Melton’s textile installation at the Columbia Center for Contemporary Art on Whaley.  Since then, the company has grown in number – there are eighteen professional dancers now; in support – Marvin Chernoff and Chuck LaMark have both signed on as associate executive directors; and, in target audience – performances are already booked in Columbia, Charleston and Charlotte and the calendar seems to grow every day.

The premiere performance for this newly re-formed company is coming up on September 17th, at 7 p.m., at the Koger Center for the Arts, and there are two pieces on the dancebill.  Miriam’s previous life as a dancer in the Martha Graham Company allows her the licensure to stage Maple Leaf Rag, the last piece choreographed by Graham before her death in 1991.  Set to the turn-of-the-century music of Scott Joplin, Maple Leaf Rag was inspired by Graham’s visit to Charleston when her company performed at the 1989 Spoleto Festival.  I had the opportunity to watch a rehearsal of the South Carolina Contemporary Dance Company perform this piece on a muggy afternoon in August, and though my toes told me I was in Columbia, Charleston all but came alive in that sweaty brick studio in the Vista.  Staged around a massive black lacquered joggling board that could have easily just bounced off a portico somewhere South of Broad, the dancers perched and pranced and balanced in time to the seventh chords and syncopations with, dare-I-say, glee.  Unlike so much of Graham’s heavier choreography, this piece is seventeen upbeat minutes of fun.

The stage gets more serious during the second act of the night when the dancers perform a piece of Barbosa’s original choreography called, Catharsis. Set to the music of Argentine tango composer Astor Piazzolla, Catharsis was choreographed in conjunction with the visual art of Marcelo Novo who has found the theme of catharsis rise often in his work of late.  The ballet is performed in three acts and takes on issues of love, passion, chaos, war, and purification, hence catharsis, and incorporates Marcelo’s original images into the backdrop and set.

Miriam explains that Marcelo’s completed work, “found voice and movement within my own experiences and so the collaboration was a fluid exchange of ideas that fit together perfectly, also reflecting a lot of our shared South American background.”

The choreography is full of typical Barbosa faire – fullness, strangeness, lyricism, and athleticism.  It’s almost as if the limited dimensions of the dance floor aren’t enough, so she takes her dancers into the air and actually suspends a few of them above the stage, using harnesses to simulate flight.  Previously performed in 2005, there are changes to the choreography including the addition of a tango performed upside down.  She’s also changing up her costumes a bit and has Barry Sparks, Columbia’s great thaumaturge of all things light and sound, doing her lighting, giving us even more to look forward to from this performance.

With Columbia’s dance season upon us, there is no shortage of excitement in store. Full length dance follows fantasy storylines that range from the frightening – hunchbacks and vampires – to the frivolous – mermaids and genies in bottles.  Wideman/Davis takes on homelessness, while USC gives a nod to the classics and a wink to contemporary choreography a la’ Alan Hineline. There is dancing to poetry and there’s the poetry of dance.  And God knows there’s a plethora of Nutcrackers, with Columbia City Jazz offering not one, but two Claras this season.  There is plenty to love on the dance floors of our good city.  Not too much and, thankfully, not too little.  When it comes to a good thing, we’ve got it good.

For more information on the South Carolina Contemporary Dance Company visit their website at www.scdanceco.com.

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